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Showing posts with label what I learnt from Japanese mysteries. Show all posts
Showing posts with label what I learnt from Japanese mysteries. Show all posts

Saturday, 31 August 2013

What I know about Japan from reading Japanese crime fiction 2

(Part 1 here)

Even though I've only spent about three weeks in Japan, I've really got to understand the land from reading Japanese detective stories.

  • Japanese rooms are typically fitted with locks whose keys are impossible to duplicate. They may be imported from a firm in Europe, or they may be hand crafted. The essential point is that it should be impossible, even for the owner, to make a copy. 
  • On leaving this world it is considered good form to leave a hint as to your murderer. (Japanese murderers generally give their victims a chance to leave a message before they go.) If possible, you should go for something less brutally direct than the name. Something allusive in the arrangement of objects on your desk might do, or a few riddling letters that need to be combined with your known interests in poetry or art history before a meaning can unfold. Etiquette guides tell us that on receiving Japanese visiting cards, one should look at them for a few moments before putting them away. During these moments you should be thinking, 'Just supposing I end up getting murdered by this person, what would be an elegant way to suggest their name to the investigators?'
  • Academics in Japan have very understanding employers. They have an awful lot of time that they can use as they like. Generally they like to spend it in the company of Japanese police, perhaps because they too have the kind of easygoing employers who let them do what they want with their time.
  • The gardens of Japanese houses may contain a tiny separate house of one or two rooms, the hanare. Don't sleep in the hanare.

Tuesday, 25 June 2013

What I know about Japan from reading Japanese crime fiction

  • 'Great detective' is a recognised profession in Japan. The career path is not really clear, but it's a wonderful position if you can get it. The police allow you access to everything and everyone. They'll investigate what you tell them to and ignore what you want ignored.  You can conceal crucial evidence from them if you like. They'll understand.  And everyone calls you 'Sensei'.
  • Japanese architecture is said to be unsuited to the locked room mystery.  This must be because Japanese houses are riddled with secret passages.  Sometimes the secret passages have secret passages in them.  These in turn may lead to massive unexplored cavern systems (and via those to the secret passages of your neighbours' villas).
  • Everything you need to know to solve a crime in Japan is available in a newspaper.  Libel and privacy laws seem to be fairly toothless and a police officer in the presence of a journalist feels compelled to give out every detail of the case. If the chief suspect has a perfect alibi, millions of Japanese newspaper readers can still consider every detail of the suspect's movements, motives and actions over breakfast.
  • Japanese police do not seem very result oriented.  They have an uneasy feeling that they're cheating, doing it the easy way, if they're not doggedly and painstakingly pursuing an apparently hopeless line of enquiry, the more man hours the better.  If the case hasn't involved, say, finding all the bookshop receipts from all the rubbish bins in central Kyoto, in the hope of discovering what the old man on the 5:30 to Osaka had been reading, well they might catch the killer, but did that really count? Japanese policework, perhaps, is not about catching criminals, but more a kind of Buddhist pursuit of enlightenment, like writing haikus or calligraphy. After two months contemplating the national railway timetable, the detective achieves inner peace.  If all he wanted was to find the murderer, he could have read a newspaper - those guys know everything.