湯布院殺人事件 (Yufuin satsujinjiken, The Yufuin Murder Case, 1994) is a not very interesting mystery by UCHIDA Yasuo (内田康夫). The main characters are IZUMI Naoto (和泉直人), a professor who has just resigned from the law department of his university in protest at its involvement in a corruption scandal, and his wife Asako (麻子). His former students honour his departure with the gift of a "honeymoon travel pass" which he can use with his wife on trains throughout Japan. Uchida's books are often the basis for television dramas that combine a murder mystery with views of an interesting tourist destination somewhere in Japan. In this case the television drama was already invisaged before the book was written. Indeed the travel pass element of the plot is there because Japanese Railways were sponsoring the television show. (At the time the book came out, the TV drama had been dropped; but it was finally televised in 2002.)
The mystery starts with the murder or perhaps suicide of the secretary of the politician involved in the corruption scandal, then shifts to a traditional drama surrounding machinations within a wealthy rural family whose patriarch is lying on his death bed. As the death toll rises we wonder how the two stories fit together. The answer (SPOILERS, I suppose) is that they don't; and the original mystery is basically dropped in place of another one.
My memory of the few Uchida books that I've read is that they do occasionally have an interesting idea somewhere in them, although swamped by the lukewarm soup of platitudes that serves as fodder for mid evening television drama. In this case, anything promising in the story leads only to disappointment. On their way to their holiday in Kyūshū, the Izumis are suddenly summoned by the train conductor to come and look after their child. When they find the conductor, he is with an unknown boy, six years old, who has a letter asking them to accompany him to Yufuin (an peaceful onsen town in Ōita). Who is the boy and why has his mother taken such a strange method to send him to this distant town? The answers prove to be both implausible and uninteresting.
The mysteries of the actual murders are poorly supplied with clues; but there is no chance that you will not spot the killer.
Showing posts with label 内田康夫. Show all posts
Showing posts with label 内田康夫. Show all posts
Saturday, 30 September 2017
Sunday, 3 April 2016
The Tama Lakeside Murder Case
I don't think I've reviewed anything by UCHIDA Yasuo (内田康夫, born 1934) yet, though I read a couple of his books before I started this blog. He is best known for the Asami Mitsuhiko series, whose hero's job as a freelance travel writer allows Uchida to decorate the mysteries with descriptions of different parts of Japan in which the crimes are set. The title of this book 多摩湖畔殺人事件 (Tamakohan satsujinjiken, The Tama Lakeside Murder Case, 1993) would be absolutely typical of the series, many of which are a combination of place name and "murder case". This is a recognized genre in Japan, the "travel mystery", which gives the reader a combination of guidebook and mystery. The book is actually not in that series, but has strong travel mystery elements, although anyone looking for information on the title setting will be disappointed, as the body found there by a passing jogger ought not to have been there and the pursuit of how the victim got there leads to quite different parts of Japan, in particular to Arita in the north east.
The narration mostly follows the viewpoint of a police detective, KOUCHI (川内), a middle aged man, known to criminals as the demon policeman for his relentless pursuit. He had been too devoted to his work even when his wife and daughter were alive, but after both died early, his work is all he cares about. Currently he is resisting his doctor's advice to have the severe stomach pains he has been experiencing for months properly investigated.
Although the killer seems to have made some effort to make the victim hard to identify, they soon find that he is a Tokyo businessman. His daughter, a beautiful wheelchair bound invalid who resembles Kouchi's lost daughter, soon proves to be more of a detective than the police, making several key breakthroughs in the investigation.
Like many travel mysteries the plot follows a "patient policeman" model, gradually revealing the victim's movements before his disappearance and homing in on a suspect. There is, as often in these stories, only one real suspect, and the interest is in whether the police can break his alibi. Different parts of the puzzle get solved stage by stage until the final confrontation. None of it really got my interest, I'm afraid, neither the mystery nor the human interest story. Uchida is a competent enough writer that you can understand his reliable popularity; but both plot ideas and characters seem very conventional for the most part. And diversions from the conventional were generally unattractive rather than interesting.
The narration mostly follows the viewpoint of a police detective, KOUCHI (川内), a middle aged man, known to criminals as the demon policeman for his relentless pursuit. He had been too devoted to his work even when his wife and daughter were alive, but after both died early, his work is all he cares about. Currently he is resisting his doctor's advice to have the severe stomach pains he has been experiencing for months properly investigated.
Although the killer seems to have made some effort to make the victim hard to identify, they soon find that he is a Tokyo businessman. His daughter, a beautiful wheelchair bound invalid who resembles Kouchi's lost daughter, soon proves to be more of a detective than the police, making several key breakthroughs in the investigation.
Like many travel mysteries the plot follows a "patient policeman" model, gradually revealing the victim's movements before his disappearance and homing in on a suspect. There is, as often in these stories, only one real suspect, and the interest is in whether the police can break his alibi. Different parts of the puzzle get solved stage by stage until the final confrontation. None of it really got my interest, I'm afraid, neither the mystery nor the human interest story. Uchida is a competent enough writer that you can understand his reliable popularity; but both plot ideas and characters seem very conventional for the most part. And diversions from the conventional were generally unattractive rather than interesting.
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